Will’s youth has been destroyed. He lives in violence and poverty. He’s the impossibility of a janitor being a world class genius. Good Will Hunting is the irony of beauty amid destruction. Love in pain. Joy in misery.
Odin who saved a child, was the hero. And Loki is the liar, the trickster, and the ungrateful wretch who threw it in his face.
It’s one of the hotly denied aspects of our lives, that we are in fact obsessed with death of all kinds. Constantly (to which the traffic jams alongside accidents can attest). Steadfastly (because it is the only thing of which we can be certain). And not only in the physical kind. Social death driven by ‘unacceptable’ acts was in Britain at least, once worse than physical death. We only need to examine literary history to see it.
Power is not what a woman wants or needs. She cannot control it. Because Pepper is not new and improved, she is broken. Luckily Iron Man is there to ‘fix’ her.
Whilst conspiracy theorists are right about bankers being assholes (okay, #notallbankers) and the Snowden files prove that the conspiracy nuts were not (just) nuts, assimilating just one fictional conspiracy theory from 24 will make you more likely to buy into others.
In our increasingly complex debate about what gender equality is, and is not, it’s an obvious parallel that the Alex who cannot fight, but can dance is not only a real lion, but also is not a real ‘man’.