Maybe it’s my depression that twists a rainbow world into shades of grey. Or maybe the Order of the Phoenix really is a minefield riddled with CPTSD. In fact it’s so bloody obvious that my suspension of disbelief is starting to waver with the Potterverse. Surely there’s one decent, aware wizard or witch who would have said–a kid wrenched away from his parents at one year old might suffer some attachment disorder and need help.
Captain America’s treatment of Bucky promotes restorative treatment of someone who has unwittingly abused his power, because he himself was abused.
I can’t make my child into an adult before she is ready to become one. You cannot give the third eye of adulthood to your child, they must develop it themselves. I cannot explain to her yet that perhaps the reason she withdraws is because she thinks it is the best way to get our attention. And even if I could it wouldn’t mean she could stop doing it.
Consequently, success in British cringe comedy is more often to be found in dry, dark verbal humour where jokes preferred in the US might be perceived by Brits as too obvious and schmaltzy. The British are more likely expect you to do the work and join the ironic dots if you want to laugh. America delivers humour to your door in superbly constructed sets of punchlines.
The film is a fest of destruction; it moves from violent sequence to violent sequence excepting some rather trite but nevertheless humorous macho competition around Thor’s Big Hammer.
Was ‘The Breakfast Club’ ever shouted down from every corner of the internet as romanticizing abuse? No, on the contrary it was effusively hailed as a testament to the human condition. How is it different to ‘Fifty Shades’? Well for one, Anastasia leaves after the beating she actively demanded, she calls him on the unacceptable nature of his actions but Claire goes out with her abuser.
In order to write this article was forced to watch Robert Downey Jr for a full two hours because that’s how dedicated I am to my work.
What if Riggan wanted no longer wanted to be defined by his power as the superhero he portrayed allegorically through a cult character Birdman, but as an actor of ‘worth’ having made it on the Broadway stage?
No, the problem with Grease 2 was that it portrayed the T-birds as dumb losers and the Pink Ladies who were too savvy to fall for their crap, versus Grease where the T-birds were also dumb losers but had incontrovertible rights to the Pink Ladies’ sexuality.
In the film Unbreakable Samuel L. Jackson plays Mr. Glass. A man whose bones shatter like glass. A man who was constantly mocked as a child. He is sick, angry and broken.
Coraline will become her puppet. She will give her eyes, she will sacrifice her unique perspective on the world, and lose herself to her other mother’s vision of herself.
I was also really pleased to see Jason Segel’s hairy-cracked ass on the big screen and to hear his best friend complimenting him on his dick.
Will’s youth has been destroyed. He lives in violence and poverty. He’s the impossibility of a janitor being a world class genius. Good Will Hunting is the irony of beauty amid destruction. Love in pain. Joy in misery.
Odin who saved a child, was the hero. And Loki is the liar, the trickster, and the ungrateful wretch who threw it in his face.
It’s one of the hotly denied aspects of our lives, that we are in fact obsessed with death of all kinds. Constantly (to which the traffic jams alongside accidents can attest). Steadfastly (because it is the only thing of which we can be certain). And not only in the physical kind. Social death driven by ‘unacceptable’ acts was in Britain at least, once worse than physical death. We only need to examine literary history to see it.
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