Our word choices, even if–or perhaps especially if–unconsciously made, reveal our attitudes, values, bias, education, self-image and purpose. For a man of letters like Stephen, who has made his fortune from a personal brand of verbosity, that means his objectivity in linguistic matters comes under question.
This book highlights a smorgasbord of situations which make you question your current ideas about consent. Consent is not true consent where there is a power imbalance. You cannot make a free and retractable agreement about something, if that agreement is made in fear of losing your access to income, and resources–financial, emotional or otherwise.
The shell which included social etiquette, consideration and interest in the outer world is broken. I feel a desperate need to be intensely focused on being sad and I resent any attempt to pull me out of my business of being so. Still, I will go through the motions, but I will not be happy. I do not want to be happy because that is just another attempt to invalidate what I’m feeling.
Are you crying because you’ve discovered our present world is far shittier and more abusive than you thought? Are you crying because YOU are far shittier and more abusive than you thought? Ouch, that’s gotta hurt. So cry away but not in the company of people of colour–they know the truth already. Don’t beg them for forgiveness, after all you have albeit unwittingly, been part of a system which abused them.
It seems incredible now, but I once thought the notion of intentional families was a simple one. Who wouldn’t want a family actively chosen from people whom you love and who love you with their whole heart instead of some of those conflicted fuck-ups we are saddled with by blood and/or marriage?
What we find funny is indicative of our beliefs, attitudes, judgements and opinions. It is a useful barometer. When we mock those who by birth or circumstance are less fortunate, we become persecutors and make others our victims. We have no less duty of care for verbal abuse even through humour, than we do for physical abuse.
Britain has never taken responsibility for the bloodshed and exploitation which built the empire. This is evidenced by Theresa May’s hardline on Brexit. We want to take without giving anything in return. We make no apologies for our xenophobic attitudes; our comedy ridicules ‘those bloody foreigners’, our narrow-minded and disrespectful behaviour often shames us in the countries we visit.
‘Love, Retold’ personifies non-violent and exploratory angles on our perceived powerlessness created by an ultimate truth; we cannot control others or their willingness to be in a relationship with us, if we truly seek to love.
Today I’m starting to put vocals on the music and song cycle now known as Twelvemonth. As you can see from my songbook, lyric writing is not always (rarely in fact) a straightforward affair. I work in pencil for a good reason. And don’t let anyone tell you that using a rhyme dictionary is cheating. This song is from the second cycle and …